My films are heterogeneous in style and genre, spanning from documentary to fiction, from portraits to essays and observational films; they are eclectic in its sources for ideas, such as for example anthropology, sociology, cultural heritage, literature. Basing the style on a strong visual language and focusing mainly on documentary elements, my films have the common denominator of exploring themes connected, directly or implicitly, with life at the edges of society. My rural roots connect me with non-urban spaces, humanity and dehumanisation, as well as man in its relation to nature and animals (often in their symbolism).
