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Say it With a Score: Score Competition Presentation and Award Ceremony

Time
Feb 17th 2011
Location
HAU 1
Guests
Milena Fessmann, Ehud Freedman, Roger Goula, Hubert Henle, Michael Nyman, Felix Rösch

In cooperation with Dolby Laboratories.

Scoring for film is all about imagery – it not only helps to create the ambience of the film and its plot, but also to elicit the emotions of the characters. The transformative power of a score when combined with images is quite amazing. It guides emotions and can signal a change in theme or mood, a quality in a particular character or lend landscapes a certain character-like quality. As Francis Ford Coppola stated, “Music is a big factor in helping the illusion of the film come to life.” And it is most effective when it works subtly, evoking and tuning the emotional response of the audience without them being aware of it. This is the craft of the sound composer – complementing dialogues, lighting, set-design and the montage of the film with music. Three emerging composers and finalists of the Campus Score Competition have spent the past week working on their scores under the guidance of Michael Nyman. The three composers join him on stage to discuss the process of creating original music and weaving it seamlessly to moving images. At the end of the session, the winner will be presented the Score Competition Award 2011: a unique tour of the best sound studios in Los Angeles, sponsored by Dolby Laboratories.

Milena Fessmann

Milena Fessmann has worked as a full-time DJ since 1991. She has had her own long-running shows on Berlin’s Radio Eins since 2001 - first “After-Work Lounge” and, more recently, “Free Falling”. She has moderated numerous events and panels, and teaches music supervising and copyright clearance at the DFFB film school in Berlin. She is the CEO of the film production company Sugar Town and is currently producing the documentary THE POTENTIAL OF NOISE - CONNY PLANK.

Ehud Freedman

Roger Goula

Hubert Henle

Michael Nyman

British film composer, pianist, librettist and musicologist. Nyman became widely known as a film score composer for his work in many of Peter Greenaway’s films (A ZED & TWO NOUGHTS, THE COOK THE THIEF HIS WIFE & HER LOVER, PROSPERO’S BOOKS), and his scores for WONDERLAND and GATTACA. His soundtrack for THE PIANO sold more than three million copies. He has written numerous orchestral and ensemble pieces and tours as a performing pianist with the Michael Nyman Band. His credits as filmmaker include the 2010 documentary NYMAN WITH A MOVIE CAMERA.

Felix Rösch

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