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Talks

Play It by Ear: Hildur's Musical Intuitions

Archived event Berlin 2020
Time / Location
Feb 23rd 2020 / HAU1
Guests
Hildur Guðnadóttir moderated by Anas Sareen
Admission
Admission with ticket only: Talents, industry, general public | learn more
Topics
© Timothée Lambrecq
Whether to match the mind of the ultimate social misfit or the fallout of a nuclear catastrophe, Icelandic composer Hildur Guðnadóttir keeps an ear out for the eccentric. A challenge to the predictable stirrings of television and film drama, her Oscar, Emmy and Golden Globe awarded scores are born out of a self-avowed need to apprehend narratives “physically” and approach collaborations intuitively. This is particularly true of the elegiac soundtrack she produced for the drama series Chernobyl, composed solely out of mechanical noises recorded in a Lithuanian nuclear power station. Hildur’s ability to stir things up is undaunted, even facing classical narratives like that of Joker, leading director Todd Phillips to take the atypical step of shooting footage in response to her orchestral score.

Rune Kongsro

Hildur Guðnadóttir

Hildur Guðnadóttir is an Icelandic composer, cello player and singer. Her work for film and television includes SICARIO: DAY OF THE SOLDADO and MARY MAGDALENE. For JOKER she received an Oscar and a Golden Globe for best original score. For her work on the HBO series CHERNOBYL, she received a Primetime Emmy Award for Outstanding Music Composition for a Limited Series, Movie or Special and a Grammy Award for Best Score Soundtrack for Visual Media.

Anas Sareen

Anas Sareen is a Swiss editor and screenwriter. He moves to Paris in the spring.