14 lectures about: Collaborative Working
Prop and modelmaker Simon Weisse, the magic hands behind the miniature world of Wes Anderson’s films, steps out of his Berlin-based workshop to share the joys and develish details that surround his niche craft.
For sex-positive director Erika Lust, the production process is key to changing the androcentric space of porn and mass media. Yet Erika’s ethics are by no means restricted to pornography and break new ground when it comes to the place of social responsibility in filmmaking.
In the midst of our week of Mistakes, producer and writer extraordinaire James Schamus (The Ice Storm, Brokeback Mountain) takes to the floor to broaden our minds about the many states of failure and offers an insightful presentation, soberly titled, "Killing It: Career Suicide."
Come closer as film critic and philosopher Dana Linssen invites short film directors Jan Soldat and Manuel Abramovich to openly discuss the ways in which they initiate intimate dialogues on taboo topics within the documentary format.
Director Adina Pintilie and her crew are joined by team members of Berlin-based WOLF cinema to unfold their unique and inclusive arthouse promotion strategy involving crews and audiences of the controversial Golden Bear winner Touch Me Not.
A group of experts from the fields of architecture, design, international development and social innovation engage with Talents and the audience in a hands-on workshop to visualize an alternate history of our present and recreate the future.
Director and editor Susan Korda gets critical. Don't worry, it's for your own good: sharing skills learnt from Walter Murch and Michael Rabiger, Susan shows you how to turn mistakes into the stuff of editing room magic.
It’s hardly a mistake to question aspects of a beloved art. International Jury members from the fields of acting, directing, curating and film criticism get together to face up to their personal mishaps and faults in the film world. Don’t let this chance for a collective catharsis go by!
Storyboard artist Jay Clarke (Isle of Dogs, Competition) illustrates in a drawing session how he connects with Wes Anderson's unique vision and points out the potentials of storyboarding for filmmakers.
Cinema is full of sex and desire - explicit and as a metaphor. Directors Marcio Reolon, Filipe Matzembacher, Mónica Lairana and João Pedro Rodrigues compare approaches to dealing with sexuality and intimacy on screen and set.
Cinematography is still a little boys’ club. Legendary DoPs Agnès Godard and Nancy Schreiber discuss their methods of collaborating on set, the possibilities opened up by new technologies, and how to keep the focus and change the picture for women in film.
Sharing tools learnt from Walter Murch and Michael Rabiger, director and editor Susan Korda lays bare secrets of the editing room in a practical case study.
Berlinale Jury president Tom Tykwer (Babylon Berlin) kicks off this edition of Berlinale Talents and unpacks the secrets of his uniquely collaborative approach to both film and drama series during development and on-set.
Sharing tools learnt from Walter Murch and Michael Rabiger, director and editor Susan Korda lays bare the secrets of the editing room, helping your film to discover you.